This past weekend I went to the Small Press Book Fair at the Small Press Center at 20 West 44th Street, New York, New York 10036. In my carry bag, man's purse if you wanna be perverse, I had five copies of a cover letter for my novel Burnt and the first chapter, plus five copies of my short story Little Blue Bunnies. I didn't know what to except, but I thought what the hell. This was New York and I should try to get into the literary scene. Make some personal contacts.
The Small Press Center is in a large impressive building. I walked around to all the booths and grabbed a catalogue from Turtle Point Press; they published Stuart David's Nalda Said. David is a founding member Belle and Sebastian and now does Looper with Karn. Stuart and Karn are mentioned in my poem Pony Express. I didn't tell the guy who handed me the catalogue this.
http://www.paxacidus.com/pai/poetry164. ... 100977785a
I attended a panel discussion entitled, Beyond Multinationals: Independent Publishing and the Future of Literary Fiction. Johnny Temple moderated it. Temple is an unassuming rock star in the band Girls Against Boys and also is the publisher of Akashic Books. Sitting in was Kaylie Jones, a real literary stooge who is on the academic side and who would hate everything I write. I liked her immediately. Mrs. Jones is half French and half American, with more French frustration than American apathy in her. She is the author of A Soldier's Daughter Never Cries; her father was the author of From Here To Eternity. And then there was Matthew Sharpe, who wrote The Sleeping Father. Father was his third book, and was turned down by all twenty of the big publishing houses. Soft Skull Press then published his novel. Matthew recently was on the Today Show, the first author of a small press to be on. The Today's Show book segment is a pretty big deal, right behind Oprah's.
I learned many things, like ‘literary fiction' is described as non-genre writing, Johnny likes to laugh and that Kaylie is pissed off and for good reason. She is appalled that no one in America was interested in what American writers had to say about 9/11. She worked with a French film crew that documented what American writers had to say. I didn't tell her about my story Sex Starts In the Mind.
http://www.paxacidus.com/read/sexstarts.html
The film crew interviewed Norman Mailer, and he said that no one in America cares. Mailer claimed that he never thought that in his lifetime writers would become socially and politically dispensable. The documentary was shown on prime time TV in France, it was never shown in America.
The tendency of the panel was that books used to mean something and they don't anymore. No one reads. Not really. And I agree. I don't know if, in the future there will be books like John Sinclair's The Jungle or George Orwell's 1984, that will change the way people actually think. Kaylie argued that no one has twenty hours to invest in a book anymore. I do, but I'm a lazy shit. This all makes me sad. We are losing artistic mediums, like novels and albums. People go to movies to be entertained, and they want it light and fluffy. It's the same with music, with all this iPod shit and down loading; we are losing the concept of the ‘record.'
The whole ordeal left me scared honestly. My enthusiasm was shattered. I never like to get too close to the harsh reality of the publishing world, and with PaxAcidus.com I hadn't had to. This past weekend was my baby steps into that world. I was once interviewed and asked questions on my views of online publishing and the Internet Underground and if I thought that it would someday replace books. And I said no way. I love books. People like the physicality of books. Sites like Pax Acidus are great steppingstones for writers but books, books, books, are what we need. I want my novel to be published in hard copy. Here I was, on the fringe trying to feel my way around and what I learned was, what a fucking mess.
I'm not a doomsayer but it is all fucked up. The way the conglomerate publishers use writers; the unrealistic expectations they put on books and then turn against the writer if a book isn't selling. The behind the back tricks of pulling publicity, or giving an advance and then if a book doesn't live up to projected profits, demanding the money back. Major publishing houses will no longer nurture writers. It's like the NFL. It's all win, win, win, right now baby! Even great writers can't make a living from their work. And America's total indifference to literature is sick. Oh what to do. What I did was thought of Allen Ginsberg, who walked around Manhattan with early drafts of Burrough's Junky and Kerouac's On the Road in his pockets (they didn't have man purses back then- but if they did I'm sure Allen would have had one) and how he was continually turned down. Sometimes today is only as good as the bad old days.
There was a meet and greet afterwards but I didn't stay. I went home with all fives copies of everything still tucked away in my bag. I can write with macho enthusiasm, but when it comes to things I really care about, face-to-face, sober, I freeze up, terrified and imprisoned by my shyness. I went and had a Guinness.
‘Shyness is nice, but shyness can stop you from doing all the things in life you want to'- The Smiths.
The next day I walked up to the book fair with determination. I keep playing in my head a way I could approach Johnny from Girls Against Boys (besides the point) and Akashic Books (the point exactly) and ask politely if I could give him Burnt. I wanted to get it right, it's like when you meet a beautiful girl in a club or bar that you fancy and you want to keep her engaged in the conversation, so you try to keep the small talk funny and flowing. You both know what you want but it has to been done with some tact. As we all know, “So you wanna go home and let me screw your brains out?� only works 50% of the time. It was kinda like that in a way, I knew I would have a small window of opportunity-and didn't want to fuck it up.
During the panel discussion Kaylie had mentioned how no one can be bothered to read anymore. I was going to say I agree with this and that in fact I know writers who don't even bother to read anymore. And I was going to avoid the whole cliché of being proud of a book that could define young society and dissociated youth without being compared to Catcher In the Rye by saying it might not have the impact of Salinger but it could be as explosive as Generation X. And I'd preface this with a little witticism on how I had more staying power than Dougie, who seems to be a one hit wonder. The last book I read by Mr. Coupland was about a plane crash, I read it while on a plane, but thought it was so stale I couldn't finish it. But then I had to rethink this, is making fun of Coupland's lack luster writing a cliché in it's own right? I cursed myself for being so simple.
Johnny was standing behind the Akashic table and I went up and looked through the books he had on sale. I was going to buy one because I was curious and it's good to support whatever team you are willing to bat for. Besides, the whole reason for this was because I want to support small presses. So much so that I'd give up the chance of paying my rent to keep artistic control. This is why I spent money I couldn't really afford, even though I wasn't as bad as the lady next to me, who said she had spent all her money on books and wouldn't be able to get home, I offered her my Metro Card. I like to walk.
And that's the thing. Johnny was there to sell Akashic books. His company can turn a profit and publish more books and have the resources to support their writers. By talking to Johnny about myself, I'm only taking away from these resources, and besides it might have been inappropriate to bring it up. But when you are desperate, right. I thought meeting in person might give me an edge. I'm sure I wasn't the only one either. I'm sure he was wary of all the people asking what he can give them. When it fact this was his book fair. Not ours.
Yet, what if?
I was nice and generous and then I opened my mouth and blurted a few sentences about Burnt to Johnny and asked it he would be interested in taking my query and first chapter and all that and I fumbled and mumbled and couldn't have been more incoherent and lame. Johnny said, politely, that they aren't taking anything at the moment, so I said, oh, you want me to mail it in, and he said no, that they are not taking anything at all right now. He told me to email him in a month. I said, thanks. Bought Some of the Parts by T Cooper and walked away—triumphant!
No, I didn't get my lucky break, more of a brush off, and no it doesn't seem like Akashic will be the new home for Burnt, but I went up face to face and asked, and even though it turned out the way I always thought it would, the way it always turns out in reality, at least I won't go to my grave with the regret of not asking. I approached, was rebuffed, and lived to type about it. Maybe next time when dealing with an agent or publisher I might even offer a lucid sentence to my cause in the conversation. There is hope for me yet.
The books I bought at the fair:
Nalda Said by Stuart David, (I already read it and own it but bought it as a gift for someone else) Turtle Point Press, 1 Christopher Street, New York, NY 10014
Some of the Parts by T Cooper, Akashic Books, 130 Fifth Avenue 7th Floor, New York, NY 10011
Scorch by A. D. Nauman, Soft Skull Press, 107 Norfolk Street, New York, NY 10002
I wanted to buy The Sleeping Father by Matthew Sharpe, Soft Skull, but they were sold out.
Wet Work by Jay Brida and Down Girl by Jess Dukes, Contemporary Press, 175 St. Marks Avenue #2, Brooklyn, NY 11217